Curve quality exercise
Deliverable: The same profile built twice — once carelessly and once with minimum control points — with curvature graphs compared and the surface quality difference shown.
Course
NURBS modelling for shapes parametric CAD handles badly — clean curves, continuous surfaces and watertight solids, with Grasshopper for anything repetitive.
6 modules · 2 months
Deliverable: The same profile built twice — once carelessly and once with minimum control points — with curvature graphs compared and the surface quality difference shown.
Deliverable: A free-form object whose surfaces hold curvature continuity across every boundary, verified with zebra analysis rather than by eye.
Deliverable: A closed, watertight model exported as STL and verified in a mesh checker with zero naked edges, ready to print.
Deliverable: A parametric pattern driven by numeric inputs, demonstrated producing at least three different valid outputs from the same definition.
Every student gets placement assistance — that is what 100% placement assistance means. It is support for all, not a job for all. We do not promise a specific salary, a specific number of interviews, or placement at any named company, and you should be wary of anyone who does.
Everything in NURBS modelling follows from the curve, and this is where most self-taught users go wrong permanently.
A profile drawn with thirty control points looks identical to one drawn with six until you build a surface from it and put a reflection across it. Then the waviness appears, and no amount of later smoothing removes it — the fault is in the curve, three steps back.
So the first module is curves alone, with the curvature graph on, and the first project makes you build the same profile both ways and compare.
Two surfaces can meet touching, meet smoothly, or meet with matching curvature.
On a shaded viewport all three look fine. Under a zebra analysis the difference is unmistakable, and on a polished metal object the difference is what a customer sees. The surfacing project is graded on the analysis, because eyes are not reliable here and reflections are.
A model with a gap you cannot see will fail on a printer or in CAM.
Naked edges, tiny slivers left by a trim, surfaces that nearly meet — the output module covers checking properly before sending a file, because discovering it at the machine costs a day and sometimes material.
Last, and only for repetition with variation.
A pattern of stones at graduating sizes, a facade of changing panels, a range of sizes from one definition — that is where it saves real hours. For a single shape, modelling directly is faster, and the module says so rather than pretending everything should be parametric.
Questions
SolidWorks is parametric and history-based — excellent for engineered parts with a feature tree. Rhino is direct NURBS modelling with no history by default, which makes free-form and organic shapes far easier and engineering changes slightly harder. Product and jewellery designers usually prefer Rhino; machine designers usually prefer SolidWorks.
Because every surface is built from curves, and a bad curve makes a bad surface that no amount of later work rescues. A profile drawn with thirty control points produces a surface with visible waviness under a reflection. Fewer, better-placed points is the single highest-leverage habit in NURBS modelling.
Not for most work, and it is deliberately last. It earns its place when geometry repeats with variation — a pattern of stones at graduating sizes, a façade with changing panels. For a one-off shape it is slower than modelling directly, and the module is honest about that boundary.
Very widely, usually with Matrix or similar plugins on top. This course teaches the Rhino underneath, which is what makes those plugins comprehensible rather than magical. Jewellery students typically take this alongside or before the Matrix course.
Three details is all we need. A course advisor will call you back.
The jewellery-specific CAD workflow — builders, gem tools, pavé and rendering — used properly, so the model that leaves your screen can actually be cast and set.
Jewellery design taken to manufacture — sketching, CAD modelling, stone setting and casting constraints — with the metal weight and costing a workshop will hold you to.
Parametric 3D modelling taught around design intent, so a model survives the change request — assemblies, sheet metal and drawings that update themselves.
Architectural visualisation taught around light and camera, because a correctly modelled room still looks wrong until the lighting and the lens are right.
Next step
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