Vector-built relief
Deliverable: A decorative panel relief built entirely from vectors using shape editor and layer combination, with a simulation showing a clean finished surface.
Course
Relief modelling and CNC toolpath generation — vectors, layered reliefs, roughing and finishing strategies — with the tool and material judgement that decides cut quality.
6 modules · 2 months
Deliverable: A decorative panel relief built entirely from vectors using shape editor and layer combination, with a simulation showing a clean finished surface.
Deliverable: A relief generated from a supplied photograph, cleaned and depth-controlled, with a written note on which parts of the image did not translate and why.
Deliverable: The same relief machined with two different finishing strategies and stepovers, compared on simulated surface quality and estimated cut time.
Deliverable: A finished carved piece cut on the machine from your own programme, with workholding, datum setting and cutter choices documented.
Every student gets placement assistance — that is what 100% placement assistance means. It is support for all, not a job for all. We do not promise a specific salary, a specific number of interviews, or placement at any named company, and you should be wary of anyone who does.
An open contour, a duplicate line or a self-intersection produces a relief with a hole in it and a toolpath that behaves strangely.
The frustrating part is that the symptom appears much later — at simulation, or on the machine — where the cause is genuinely hard to trace back. Ten minutes of vector cleanup at the start removes an entire class of problem, which is why it comes before anything else here.
Relief-from-image is the feature everybody wants to try and the one that disappoints most.
Depth is inferred from brightness, so flat lighting gives a flat carving, a busy background carves as noise, and low contrast produces mud. No amount of cleanup rescues a bad source. Learning to say “this photograph will not work, bring me another” is the actual skill.
Halve the stepover and the finish improves and the cut time roughly doubles.
There is no correct answer, only a judgement against the material, the cutter, the piece and the deadline. The comparison project makes you machine the same relief two ways and look at both results, because the trade-off is easier to feel than to be told.
A gouge in the simulation costs nothing. A gouge in a seasoned teak panel costs the panel.
Simulation, checking for uncut regions and collisions, and setting the datum carefully are the last things covered and the first things that matter on the day. Pair this with the CNC Programming course if the machine side is new to you.
Questions
Conventional CAM machines a CAD model to precise dimensions. ArtCAM builds decorative reliefs — depth-based artwork rather than engineered geometry — and then machines them. It is the right tool for carved panels, signage, mouldings and engraving, and the wrong one for a machined component with tolerances.
It helps considerably. You are choosing cutters, feeds and stepovers, and setting a datum on a machine. The CNC Programming course covers the machine side properly and pairs well with this one. Workshop staff who already run a router will find this course mostly about the software.
Because an open or self-intersecting vector produces a broken relief and a broken toolpath, and the failure appears much later where the cause is hard to see. Cleaning artwork first — closing contours, removing duplicates, checking nodes — prevents an entire category of problem that otherwise wastes hours.
No, and the third module is honest about it. Images with flat lighting, low contrast or busy backgrounds produce muddy reliefs regardless of technique, because depth is being inferred from brightness. Knowing which images to reject before you start is more valuable than any cleanup trick.
Three details is all we need. A course advisor will call you back.
Machine programming taught with the setup and simulation discipline that stops a crash — G-code by hand first, so you can read and correct what any post-processor writes.
NURBS modelling for shapes parametric CAD handles badly — clean curves, continuous surfaces and watertight solids, with Grasshopper for anything repetitive.
Jewellery design taken to manufacture — sketching, CAD modelling, stone setting and casting constraints — with the metal weight and costing a workshop will hold you to.
Mechanical drafting judged the way a machine shop judges it — correct projection, tolerances that reflect function, and a drawing a machinist can work from without ringing you.
Next step
Tell us what you want to learn and we will help you pick the right course, batch and mode.